Danuza Machado,
Psychoanalyst, Member of the CFAR – Center for Freudian Analysis and Research
Antonio
Quinet
Psychoanalyst,
MD, PhD in Philosophy playwright. Member
of the School of Psychoanalysis of the
Forums of the Lacanian Field. Professor of the Postgraduate Programme in
Psychoanalysis, Health and Society (UVA-Rio de Janeiro), where he develops the
research project "Theatre and Psychoanalysis", and acts as director
of the Unconscious on Stage Co. Author of 10 books published in Brazil (two
translated into French and one to Spanish), and six plays.
Ana Vicentini
Psychoanalyst,
PhD in Comparative Literature (Greek tragedy and psychoanalysis) from CUNY/USA,
MA in Literature (Drama) from Essex University. Coordinator of the Ateliers of
Psychoanalysis in São Paulo, authors of books and articles on psychoanalysis,
literature and the arts published in Brazil and abroad.
José Eduardo
Costa e Silva
Musician of baroque
and contemporary music, composer and professor of the Federal University of
Espírito Santo, took part in the recording of six CDs. He is a member the Unconscious on Stage Co., for which he
composed the music of all the plays.
Regina Miranda is a choreographer,
theater director, and cultural administrator. She created and directed over 40
theater and dance performances for her own company – the ActorsDancers of Rio
(1980-today), being the recipient of numerous national and international
awards. More recently, her interest in social change through the arts has led
to the creation of a new company – the Collective Body, dedicated to
interactive performances in public spaces. Regina is the author of Expressive Movement (1980), Body-Space:
Aspects of a Geophilosophy of the Body in Movement (2008), and of Laban Lead: Leadership as Art (2008). Her theater plays, Empty Legs (2003); Intimacy of Angels (2006); Unmapped:
Where I find myself (2011); “Open the
Hystericals! (2012, with Antonio Quinet); and Leonardo’s Manuscripts (2013), have been performed to critical
acclaim in Brazil and the US. Regina Miranda holds a BA in Dance Theory from
SUNY/Empire State College, a CMA by the Laban/Bartenieff Institute of Movement
Studies, and a MSc., from GCU/Ken Blanchard School of Business, focused in Cultural
Leadership.
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